Bilingual venue and live-music professional shaped by Munich's bar, beer-garden, and concert scene. I run the room, book the acts, and build the night.
I spent years in Munich's live-music and hospitality scene, most recently managing a 220-seat international pub where I relaunched the live-music program and ran the floor on nights that drew 400 or more guests.
Today I run Blue Jay Entertainment, my own concert-promotion and artist-management company. I work a show from every angle: booking the acts, signing the contracts, mixing the room, and designing the campaign that fills it.
Equally at home behind the bar, behind the soundboard, or on the booking calendar.
Independent concert promotion and artist management in psych-funk, indie, and experimental music. Booking, contracts, budgeting, marketing, and night-of production, end to end.
Front-of-house mix and full A/V setup each week for the venue's Wednesday live programming.
Relaunched the live-music program and ran daily operations for a 220-seat high-volume international pub: scheduling, staff training, cash control, and floor management.
Hosted live-entertainment nights, running sound and managing song requests to keep the room moving. Built a regular following.
Scored the feature film "The Witches Macbeth" and the short "Ein Auge fuers Detail" at LMU Munich.
Originated, wrote, and cast "The Crux and the Murder"; pitched timeline and budget to the production sponsor.
Weekly front-of-house engineer; full A/V setup, line checks, monitors, and room mix for touring and local acts.
All Blue Jay promotion in-house: posters, social campaigns, and electronic press kits.